Those Barren Leaves - Softcover

Aldous Huxley spares no one in his ironic, piercing portrayal of a group gathered in an Italian palace by the socially ambitious and self-professed lover of art, Mrs. Aldwinkle. Here, Mrs. Aldwinkle yearns to recapture the glories of the Italian Renaissance, but her guests ultimately fail to fulfill her naive expectations. Among her entourage are: a suffering poet and reluctant editor of the Rabbit Fanciers' Gazette who silently bears the widowed Mrs. Aldwinkle's desperate advances; a popular novelist who records every detail of her affair with another guest, the amorous Calamy, for future literary endeavors; and an aging sensualist philosopher who pursues a wealthy yet mentally-disabled heiress. Stripping the houseguests of their pretensions, Huxley reveals the superficiality of the cultural elite. Deliciously satirical, Those Barren Leaves bites the hands of those who dare to posture or feign sophistication and is as comically fresh today as when first published.

Aldous Huxley was born on 26th July 1894 near Godalming, Surrey. He began writing poetry and short stories in his early twenties, but it was his first novel, 'Crome Yellow' (1921), which established his literary reputation. This was swiftly followed by 'Antic Hay' (1923), 'Those Barren Leaves' (1925) and 'Point Counter Point' (1928) - bright, brilliant satires in which Huxley wittily but ruthlessly passed judgement on the shortcomings of contemporary society. For most of the 1920s Huxley lived in Italy and an account of his experiences there can be found in 'Along The Road' (1925). The great novels of ideas, including his most famous work 'Brave New World' (published in 1932 this warned against the dehumanising aspects of scientific and material 'progress') and the pacifist novel 'Eyeless in Gaza' (1936) were accompanied by a series of wise and brilliant essays, collected in volume form under titles such as 'Music at Night' (1931) and 'Ends and Means' (1937). In 1937, at the height of his fame, Huxley left Europe to live in California, working for a time as a screenwriter in Hollywood. As the West braced itself for war, Huxley came increasingly to believe that the key to solving the world's problems lay in changing the individual through mystical enlightenment. The exploration of the inner life through mysticism and hallucinogenic drugs was to dominate his work for the rest of his life. His beliefs found expression in both fiction ('Time Must Have a Stop', 1944 and 'Island', 1962) and non-fiction ('The Perennial Philosophy', 1945, 'Grey Eminence', 1941 and the famous account of his first mescalin experience, 'The Doors of Perception', 1954. Huxley died in California on 22nd November 1963.