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Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle - Hardcover

 
9780195124477: Schumann's Eichendorff Liederkreis and the Genre of the Romantic Cycle
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This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms.

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About the Author:
David Ferris is at Rice University, Texas.
Review:

"...ambitious and often provocative study of Schumann's great Eichendorff cycle."--Current Musicology


"Ferris's book is a welcome addition to Oxford's 'Schumann Series.' It is refreshing to read a study of the Romantic song cycle whose primary focus is not Dichterliebe....Most of Ferris's musical analysis....grows out of equally poetic analysis. Just as he is able to probe beneath the apparent simplicity of the poetry, so does he locate ambiguities and complexities in Schumann's deceptively simple musical settings."--Music Theory Online


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  • PublisherOxford University Press
  • Publication date2000
  • ISBN 10 0195124472
  • ISBN 13 9780195124477
  • BindingHardcover
  • Edition number1
  • Number of pages288

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Book Description Hardcover. Condition: new. Hardcover. Using Schumann's "Eichendorff Liederkreis" as the primary example, this work sheds new light on the structure of 19th-century song cycles and on Schumann's particular response to the problem of musical coherence in large scale works. Drawing on analysis, literary criticism, and source studies, this book argues for a new conception of the 19th-century song cycle. Rather than a unified whole, the cycles are seen as a fragmentary and open-ended form that enabled Schumann to express the romantic themes of transcendence and ineffability in musical terms. The book begins with a general discussion of the cycle as a genre. The heart of the book is a series of closely argued analyses of five of the Eichendorff songs, with particular attention on the relationship between text and music. Ferris concludes by setting the Liederkreis within the context of Schumann's other 1840 song cycles. This new study draws on analysis, literary criticism, and source studies to propose a new conception of the nineteenth-century romantic cycle. Rather than a unified whole, the cycle is seen as a fragmentary and open-ended form, which enables Schumann to express the romantic themes of transcendence and ineffability in musical terms. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9780195124477

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