In the Palace of the Movie King - Hardcover

``By the last decade of the twentieth century, America...had become accustomed to taking to its heart or its bosom...a particular band of adopted heroes...called dissidents.'' In her latest bemusement with fancies bred in the dazzlingly cerebrating heads of wryly antiheroic protagonists, and with a spider-web-light satiric voice, Calisher (Age, 1987; The Bobby-Soxer, 1986, etc.) here follows the arrival in America of a famous cinema director-- his netting by and release from a ``minor Balkan province'' (presumably Albania). For 16 years, Paul Gonchev, born in Russia, educated in Japan, has produced ``travelogues'' in the ``confined space'' of a fierce small country where travel was a ``sin.'' Then, scenting danger in a country thistled with it, Gonchev's wife, Vuksica--mother of teenaged Laura and bullboy son Klement--arranges to have Gonchev shanghaied (``exported'' as he would later think of it) to America, hungry for famous dissidents. Unlikely guides take over: a brace of dissident-hunters; a Breslin-like Manhattan journalist; and Roko, the tiny Japanese woman who translates (Gonchev reserves his English). Back home, meanwhile, the family stirs: Laura arrives in the US bound for yuppiedom; brother-in-law Danilo and Vuksica will perform virtuoso rescues; and a mother shoots her son! All this while Gonchev absorbs the US (accompanied by lover Roko) in short takes: from the color of N.Y.C.'s harbor (``sadness or squid'') to college students eating red meat (``recently on the haunch'') to a quake in California, where a new friend is slowly devoured by earth-as-womb. Throughout the ‚migr‚s' journey, Gonchev tosses off bomblets of perceptions, cinematic images giving off little heat but a sharp flickering light, with some incidental buffoonery. At the close, Gonchev, a happy American, will teach his students to forget the dream city of the ‚migr‚ and ``record wherever one is, while standing by the river of flux.'' A slow, packed, teeming fictional journey, but the becalmed- to-bucketing excursion through the fantasized ‚migr‚ experience is worth a trip. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

The author of Mysteries of Motion offers in her new novel a ponderous study of what it means to be a dissident. Internationally known film director Paul Gonchev grew up in Japan, the son of Russian parents. Hired by the Albanian government, he spends five years producing travelogues of foreign cities--filmed in Albania on sets built locally based on the information in Gonchev's voluminous archives. His Yugoslavian wife arranges for the director to be snatched against his will and taken to America, where he discovers that the trauma of his kidnapping has rendered him unable to speak any language but Japanese. With the help of a translator, he ekes out a living for a time on the lecture circuit, but the life of a professional dissident doesn't appeal to him, and he pines for his wife, trapped in Albania. Calisher writes expertly about the dissident experience, and her prose, as usual, is lovely. The book lacks energy, however, and although it is temporarily galvanized by the change of setting to the U.S. and the comic intricacies of Gonchev's language problem, these scenes do not compensate for a generally listless atmosphere.
Copyright 1993 Reed Business Information, Inc.