Review:
"Misconception takes on the question of truth in storytelling, as well as matters of the heart, and the mysteries of coming into one's own, all with a sensitivity and intelligence that is truly moving, and a sense of humor that, page after page, will warm your cockles. A gem of a first novel." -- Charles Bock
"A comic symphony--a story with side-splitting action, treacherous wit, and vise-grip lyricism . . . Here, bleak is beautiful, and lucid, lovable characters jump into your arms. Misconception gives fresh voice to our most important American secrets." -- Maria Flook
"Ryan Boudinot's tragic narrators, Cedar and Kat, deliver a rollicking tour of adolescence that pivots on a gasp. Misconception is as twisted as watching your own sperm swim under the microscope in biology class and as irresistible as a twenty-year secret about sex, death, and paternity." -- Aimee Liu
"Ryan Boudinot will make you love characters even when they are being despicable and foolish, and he writes about relationships in a way that is perceptive, honest, and refreshing. But there is something more going on. Misconception is a book riven with insight, humor, and style. And it is among the finest debuts I have ever read." -- Stephen Elliott
From Publishers Weekly:
A breezy, humorous first novel from Boudinot (after his collection, The Littlest Hitler) chronicles the awkward coming-of-age of a boy whose middle-school crush entwines him into the girl's dysfunctional family. Cedar Rivers is first introduced when he brings in his own semen for inspection under the microscope in eighth-grade science class, a stunt that impresses incipient beauty Kat Daniels. Groping summer sexual experiments ensue and are cut short as Kat has to spend a month traveling with her mom and her mom's creepy new boyfriend, George. When Kat returns pregnant, George is the assumed suspect. Boudinot is not overly concerned by this flimsy plot, managing to inject textual interest by alternating the narrative in the voices of first Cedar then Kat, whom Cedar meets with 20 years later to sign a waiver regarding the memoir she's about to publish. There are ironic, tongue-in-cheek moments (Ryan Boudinot is the name of a critic who reviewed Kat's first book), perhaps to remind the reader not to take any of this too seriously—especially the over-the-top ending—while Boudinot provides moments of gossamer prose. (Sept.)
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