Out of the Box: The Reinvention of Art: 1965-1975 - Softcover

Carter Ratcliff is a leading art critic and contributing editor of Art in America. His writings have appeared widely, in European and American journals and in the publications of museums here and abroad, including the Museum of Modern Art, New York, the Guggenheim Museum, New York, and the Royal Academy, London. Recently, his essay on Francis Bacon was published in the catalog of a retrospective of that artist's paintings at the Louisiana Museum for Modern Kunst, in Denmark. He has taught at the School of Visual Arts and Hunter College and lectured at a variety of institutions, including the Whitney Museum of American Art and the San Francisco Museum of Modern Art. His most recent book is The Fate of a Gesture: Jackson Pollock and Postwar American Art (Westview Press, 1998). Among his other books are studies of Andy Warhol, Gilbert and George, John Singer Sargent, and Robert Longo. A selection of his essays, entitled The Figure of the Artist, is to be publishe! d this year by Cambridge University Press. He lives in New York City. Allworth Press Books by Carter Ratcliff: Out of the Box, The Reinvention of Art.

Ratcliff, an art critic and contributing editor of Art in America, has produced an incisive and well-researched study of American art from 1965 to 1975. The text covers the entire spectrum of art activities of this time, including sculpture, painting, drawing, installation, earthworks, and photography. The usual suspects are discussed, including Donald Judd, Sol LeWitt, Dan Graham, Bruce Nauman, and the like, but Ratcliff also brings to light lesser-known artists, such as Mac Adams and Bill Beckley. Out of the Box chronicles the evolution of art from the severe minimalist object to a time of pluralism, when anything became possible. Ratcliff utilizes statements and writings by artists to substantiate his position rather than relying on critics from the period. The design is stylish but at times inordinate, detracting from the images, which are literally placed "out of the box." Recommended for academic and public libraries with substantial art collections. Krista Ivy, Bryn Mawr Coll., PA
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