About the Author:
Julie Berry grew up as the youngest of seven children on a 50-acre farm in America complete with pigs, chickens, turkeys, rabbits, and oodles of cats and dogs. As a child she took beloved books to bed like other children took teddy bears, nestling down under the covers with them. She still does this today, and her patient husband stacks them on his bedside table before turning off the light. She has written four novels with ALL THE TRUTH THAT's IN ME being nominated for the CILIP Carnegie Medal 2014. She lives with her husband and four sons in Massachusetts. Follow Julie at www.julieberrybooks.com or on Twitter: @julieberrybooks.
From School Library Journal:
Gr 6 Up—In this Victorian boarding school murder mystery, seven young women find themselves gloriously free from adult supervision when their judgmental, penny-pinching headmistress and her good-for-nothing brother die suddenly during dinner. Rather than alert the authorities and risk having the school shut down and all the students sent home, the girls decide to keep things under wraps and proceed as if the late headmistress and her brother were still alive. But first they'll have to bury the bodies in the garden without attracting the notice of busybody neighbors, potential suitors, a suspicious housekeeper, and a host of charmingly annoying villagers with a penchant for showing up at the worst possible moment. While juggling mounting debts and increasingly precarious fabrications in order to keep up their charade, the students also try to discover who poisoned the deceased—and why. Berry's prose is reminiscent of the dark comedy and melodrama of Sir Arthur Conan Doyle's "Sherlock Holmes" mysteries. Each girl at Saint Etheldreda's School is defined largely by an adjective that precedes her name: Dear Roberta, Disgraceful Mary Jane, Dull Martha, Stout Alice, Smooth Kitty, Pocked Louise, and Dour Elinor. The nicknames are illustrative of the insidious ways in which women and girls were pigeonholed and denigrated in the patriarchal society of 19th-century Great Britain, and over the course of the story, the characters prove that their supposed weaknesses are often the sources of great strength and ingenuity. That said, the device is used throughout the entirety of the book and will wear thin with some readers. The pacing slows midway, though kids will want to read on—if only to find out if the sisterhood winds up behind bars for all of their shenanigans. Overall, this is a well-researched, clever, and deliciously dark comedy with an emphasis on female empowerment.—Kiera Parrott, School Library Journal
"About this title" may belong to another edition of this title.