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Published by Charta, 2009
ISBN 10: 8881587297ISBN 13: 9788881587292
Seller: Better World Books, Mishawaka, IN, U.S.A.
Book
Condition: Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Published by Coyote Cowboy Company; Record Stockman Press, 1992
ISBN 10: 0939343126ISBN 13: 9780939343126
Seller: Rye Berry Books, Diamond Springs, CA, U.S.A.
Book Signed
hardcover. Condition: Very Good. Dust Jacket Condition: Good. Bob Black; Don Gill; David Holl; Charlie Marsh (illustrator). Signed by the author. Small tear on the bottom edge of the dust jacket. Minimal wear. The text is free of markings. Signed by Author.
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Published by EDIZIONI CHARTA, MILANO, 2009
Seller: Gian Luigi Fine Books, Albany, NY, U.S.A.
Book
PAPERBACK. Condition: Fine. 1ST.
Published by James Holl, 2017
ISBN 10: 0692930094ISBN 13: 9780692930090
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Book
Condition: New.
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Published by Garvey Simon, 2018
ISBN 10: 0692951792ISBN 13: 9780692951798
Seller: Shore Books, London, United Kingdom
Book
Soft cover. Condition: Very Good. 16 pages. Illustrated. (BT#14).
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Condition: Very Good. Very Good Coyote Cowboy Co 1992 large hardcover INSCRIBED to "Mark" by the AUTHOR Cover, text, binding and dust jacket in excellent condition.
Published by Charta, 2009
Seller: Dave Wilhelm Books, Evanston, IL, U.S.A.
Signed
Soft Cover. Condition: Very Good. Signed by Author Inscription by author on flyleaf. ISigned by Author.
Published by Charta, 2009
Seller: ANARTIST, New York, NY, U.S.A.
Softcover, 128 pages, new condition, still in shrinkwrap; clean and crisp.
Published by Charta, 2009
Seller: Elizabeth's Bookshops, Fremantle, WA, Australia
Softcover. Condition: FINE. Jim Holl's photo-essay/memoir tells the story of his artistic development while living and working in New York City, from his arrival in 1974 through 1994, and his transits through anti-art, performance art, Land Art, installation art, Pop art, Conceptual art, Relational Aesthetics, painting and sculpture. Students of art will learn useful orientations from Holl's account.When the wide-eyed young painter Jim Holl came to New York City in the mid-1970s to study and make art he was shaken by the news that painting, according to the critics, was dead. These polarities ? of critic and artist ? are also apt writing devices as they mirror Holl?s early struggle to make art. This was a time when aesthetic discourse centered around the critic and philosopher Arthur Danto?s (quoted liberally in the book) interpretations of Hegel?s End-of-Art thesis. Art was no longer meaningful as imitation of nature. It was no longer just about ideas. And it sure wasn?t enough that it just look pretty. So what was art ? and who was he as an artist? Hyperconscious and academically informed, Holl ventured into earnest inquiry of different art movements ? from anti-art to relational aesthetics ? which he went at in a direct way that was critically serious and sometimes humorous.Holl spent the next 20 years venturing outside the frame to find his place in this post-apocalyptic art world. His memoir, The Landscape Painter: 1974 through 1994, documents his journey from two perspectives, shifting between the satellite vantage of the academic critic (professor at Marymount College) and the reflections of a painter, sculptor and performance artist seeking a genuine voice. The dual narratives create an insightful critical portrait of the late 20th century art world, and makes an edifying read for art students, to whom he directs this well designed photo-essay/memoir. Elizabeth's Bookshops have been one of Australia's premier independent book dealers since 1973. Elizabeth's family-owned business operates four branches in Perth CBD, Fremantle (WA), and Newtown (NSW). All orders are dispatched within 24 hours from our Fremantle Warehouse. All items can be viewed at Elizabeth's Bookshop Warehouse, 23 Queen Victoria Street\, Fremantle WA.
Published by Kim Foster Gallery, 2013
Seller: austin books and more, New York, NY, U.S.A.
Book
Paperback. Condition: Good. (NB220 NOV8T7AL) signed by Susan Wides edge/point wear, no underlining or highlighting within.